All the Dragon Knights believe that universes outside their own are somehow virtual and unreal, Haruka is arguing with them all the way, and Karasu is the only one who's convinced/realizes that the "virtual universe" thingie connected to a real universe rather than creating an artificial existence. Played straight in that, well, they end up doing it anyway. The aversion is that the characters do acknowledge the consequences of doing this, and many of them are quite traumatized by it. With every Humongous Mecha battle, an alternate reality that is strikingly similar to that of the universe of the main characters is simply wiped out of existence.
INFINITY SIGN TG COMIC REALITY REVERSED SERIES
It's just an extra us, so its people aren't unique characters, and under the Second Law of Metafictional Thermodynamics, not being unique automatically makes one expendable. The reason for this is that an Alternate Universe often feels like a cheap copy of our own.
Many heroes will not leave the Planetville of the week until its problems are solved, but for the Alternate Universe, all they care about is getting out alive.
Absolutely anything horrible can happen in an Alternate Universe- Zombie Apocalypse, life-threatening plague, being taken over by evil, or completely destroyed-and our Earth will still be safe, if we can close the portal. But the more immediate objective of these volumes of annual proceedings is to promote participation in the work of "semioticizing" traditional perspectives and disciplines by providing a forum in which young scholars can meet regularly and find an outlet for their efforts at interdisciplinary thinking which are not always welcome in the journals and proceedings devoted to the promotion only of traditionally specialized perspectives.If characters from our world visit an Alternate Universe, neither they nor the audience care what happens there. The historical value of such a record is obvious. Thus Semiotics 1981 marks the beginning, following upon the experimental Semiotics 1980 volume, of an indefinite series of volumes presenting the cross-fertilization of styles, topics, methodologies, and traditions "in which new ideas vie for survival and experiment is at a premium." It is this cross fertilization which is at the heart of the vitality and integration and redistribution of the world of knowledge. This volume differs from the volume, Semiotics 1980, in that it is no longer an experimental product, but the result of a permanent commitment of the Semiotic Society of America to publish each year henceforward those papers presented at its Annual Meeting which are submitted to the Secretariat in timely and proper form.